Dance/USA Honoree Dianne McIntyre says, "A dance company is like a family; emotions rise and fall -- clashes, love and all kinds of things in between."

Learn how one performing arts organization's engagement of young people and diverse communities is reaching new audiences and paying off.

Terry and Sheldon Adelman will be honored this June at Dance/USA's Annual Conference for their significant contributions to Cleveland’s dance community.

Outgoing San Francisco Ballet executive director Glenn McCoy receives Dance/USA's Ernie Award in June at the Annual Conference in Cleveland. Find out what 3 questions he asks himself before making a career decision.

At IABD, diversity, equity and inclusion are top of mind for everyone -- in this country and other countries. Read more from Denise Saunders Thompson.

The Contemporary Arts Center and Junebug Productions share the learnings from their Wallace-funded project on engaging young African American audiences in New Orleans by launching educational and social programs and building audiences for dance.

Dance/USA’s DILT program matches early career dance leaders with seasoned professionals in a national dance mentorship and leadership program. Read about two recent participants in Dance/USA's Institute for Leadership Training.

Malik Robinson grew up in the family business, the Cleo Parker Robinson Dance Ensemble. Learn how he has navigated tough issues, made mistakes and triumphed.

Big businesses aren't the only ones facing cyber crime. Non-profits are also targets. How can you protect your organization's data and digital assets? Read on.

By the numbers, The Nutcracker sold more than $51 million in tickets in 2017 and attendance grew by 14%. Get more Nutcracker stats from Dance/USA’s survey here.