Audiences at La Jolla Playhouse didn't reflect San Diego's diverse community. Read how the company changed perceptions and engaged a broader audience.

Learn how one performing arts organization, part of the Wallace Foundation's Building Audiences for the Arts cohort, is figuring out how to attract and retain younger audiences.

"I was blown away by the depth of the conversations …. They go beyond dance and into the larger world." Read more comments on Dance/USA's 2018 conference. 

At Dance/USA's 2018 conference Roberta Uno cut to core issues affecting the dance world connecting cause and effect of political and cultural crises. Read Haley Kostas's report. 

A night that can only be described as indescribably unexpected, 2018's Opening Night Celebration was all things for everyone, writes L.A. blogger Haley Kostas. 

Dance/USA's 2018 Opening Night Celebration at the Aratani Theatre of the Japanese American Cultural & Community Center in Los Angeles was the perfect way to get inspired. Read more here.

Triple threat and more, dancer, choreographer, actor, director and producer Debbie Allen says nurturing the next generation is "the most purposeful thing" in her life. Read more about this year's Dance/USA Honor Awardee.

The driving force behind Washington, D.C.’s Dance Place, Carla Perlo receives the 2018 Ernie Award for her contributions to building a full-service studio/theater, that is a home for artists and neighborhood kids to create.

Eminent couple Lula and Erwin Washington have for nearly four decades shaped dance in Los Angeles as influential artists, educators, community leaders, and role models. Read more.

“I never set out to change the world,” says dancer, educator and activist Mary Verdi-Fletcher. “I just wanted to dance.” Along the way, she made dance accessible for those in wheelchairs, and accessibility became a common practice.