Kelly Tweeddale, San Francisco Ballet’s ED: “We have to take care of our workforce. This is a public health pandemic. Health care has to be at the forefront and compensation – for our staff and dancers.”
Get a peak at The Wallace Foundation’s studies on how arts organizations – including dance – can utilize market research to expand their audiences.
Fashion designers have had a long tradition of creating costumes for choreographers, from Coco Chanel’s knit swimsuits for Ballets Russes’ “The Blue Train” to the bold, black-and-white striped Norma Kamali pajamas for Twyla Tharp’s “In the Upper Room.” Dance and high fashion have their proponents and faultfinders. Read on..
How can arts organizations more fully reach and engage their communities and audiences? Learn how Philadelphia’s Fleisher Art Memorial revamped its programs in the face of changing neighborhood demographics. Read on for more.
As I navigate my identity as a black, female artist, I’m especially
interested in creative efforts that prioritize cultural equity and
embody more empowering models of community participation, writes dancer and dancemaker Katrina Reid. Read on for more on opening up possibilities for women choreographers of color.