Dakota Camacho – Dance/USA Artist Fellow

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Image Description: A brown skinned non-binary person with thick eyebrows and well-shaped facial hair looks intently into the camera. They are adorned in tigem (orange spiny oyster) beads around their head and neck. Guiya (they) hold their arms behind their head and in front of their body. Their front hand is inked in ancestral designs, their back hand is raised above their head and adorned in blue coral beads. Guiya stands in a patch of banana leaves, perhaps in the jungle of their homeland. Photo by Jordan Panuelo.

Dakota Camacho

Guiya/Yo’ña

Tomhom, Guåhan | Matao/CHamoru

Si Dakota Camacho ginen i manmatao na taotao Låguas ya i hale’-ña gaige giya Tomhom, Mongmong yan Hagåtña na songsong siha, yan ginen i manggåfan Che’ yan Eging. Gaige lokkue’ i Ilokåno gi hagå’-ña. Mafa’ñågu si Camacho gi tano’ sduhubš ya dumångkolo’ gui’ gi sduhubš, swədəbš, dxʷdəwʔabš, bəqəlšuɫ,  yan suq̓ʷabš na tåno’ siha. Dumångkolo’ lokkue’ giya Seplon na songsong giya dᶻidᶻəlalič nai ha sodda’ i ma agång-ña lumålai. Gi entalo’ i taotåguen ayu na tåno’, i manåttilong, i mantagålu yan palu siha na taotao ni chumóchonek mo’na i che’cho’ i tininas gi hilo’ tåno’, ha eyak i nina’siñan inago’ i pennga’.

Gi 2011 na såkkan måtto tåtte Guåhan, Låguas si Camacho manalíligao manfá’fa’nå’guen i fino’ yan pennga’ håya. Umátungo’ si Camacho yan si Jeremy Cepeda, fá’fa’nå’guen fino’ håya, ya guiya chumalåni gui’ gi chalån-ña umeyak i fino’ håya. Gi meggai siha na såkkan, humåhanao si Camacho gi hilo’ tåno’ ha fáfatta’ i fina’tinås-ña linalai yan ha pópoksai i inagofli’e’ yan meggai na taotao gi tano’ Aotearoa, gi Tano’ Haggan, giya Hawai’i yan i på’go ma fa’nana’an Australia yan Africa.

Gi 2019 na såkkan, si Dakota yan si Jeremy muna’ huyong i inetnon Gi Matan Guma’ ni muna’lå’lå’la’ i pennga’ yan fino’ håya gi ma képokaten i chalan ináfa’maolek. Si Camacho tumútuhon i MALI’E’ na fina’-i-che’cho’ ni ha késodda’ håfa taimanu siña ma na’lå’la’ i Hinasson Nina’huyong Matao gi meggai na tumaimanun fina’tinas siha. Gof magof på’go si Dakota na machocho’cho’ yan Gi Matan Guma’ gi iya Låguas yan Sanlagu.

Dakota Camacho comes from the Matao/CHamoru peoples of Låguas and comes from the villages of Tomhom, Mongmong, and Hagåtña, and descends from the Che’ and Eging clans, and they also have Ilokano lineage. Camacho was born in the lands of the Snohomish and raised in Snohomish, Swinomish, Duwamish, Muckleshoot, and Suquamish territories. They grew up in the South End of Seattle where they found their calling for poetry, dancing, and chanting. Amongst the Native peoples of that land, Black, Filipinx, and other Peoples working towards justice on earth, they learned of the transformative potential of culture. 

Camacho arrived in Guåhan, Låguas (the Mariånas) in the year 2011, to find Matao/CHamoru language and culture teachers. Camacho became friends with Jeremy Cepeda, a fino’ håya language teacher, and Jeremy guided Camacho on yo’ña (their) language learning journey. For many years, Camacho traveled around the world sharing their dance and musical creations, and cultivating relationships with Indigenous peoples in Aotearoa, Turtle Island (so-called “North/South America”), Hawai’i, and momentarily so-called Australia and Africa. 

In 2019, Camacho and Cepeda started the Gi Matan Guma’ collective to give life to their ancestral language and traditions in an attempt to walk the path of ináfa’maolek (peace and equity for all living beings). Camacho started the MALI’E’ project to try and find ways to activate a Theory/Memory/Imagining of (Making) Matao [Creativity] through multi-disciplinary art.  Today, Dakota is very happy to be working with Gi Matan Guma’ in Låguas and throughout the diaspora. 

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Image Description: A group of 14 Matao/Chamoru, Native, and Black people stand in a loose semi-circle with intent focus. Some of them hold sacred items in their hands, others reverently hold their hands in front of them. They gather around an altar they are making on the ground. There is cedar, woven bags, coconut oil, and candles on the altar. The people are adorned in mostly black, white, yellow, and green colors with a combination of woven and natural fibers adorning their heads, shoulders, and waists. Photo by Futsum Tsegai.
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Image Description: A group of 13 Matao people sit in the jungle at a sacred site where stone megaliths stand. They are praying around an altar with the smoke of coconuts pouring through the air. They appear to be singing while assembling the altar. They are wearing very casual clothing and the light is quite dark. Photo by Alex White.
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Image Description: Three silhouettes stand beneath an A-Frame structure. They appear as shadows standing close enough to each other that it is obvious they are together, friends, maybe relatives. They walk towards a circular red light on the ground. They wear nets around their waists. Photo by isabel fajardo.
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Image Description: Dakota Camacho, a brown skinned non-binary person, with long jet black hair, stares off into the distance pushing their hands forward in chant. They are adorned in a black shirt with Matao patterns symbolizing a Sihek (Micronesian Kingfisher), a Haggan (sea turtle), and Saligao (centipede) on their heart side in white ink. They wear a sash of tigem (orange spiny oyster) beads hangs across their chest, while a sinahi (crescent moon) hima (giant clam) pendant hangs below their neck. Their hair blows in the wind. Behind them is Såhi Velasco, a Matao non-binary person, with short blonde and black hair, doing the same hand movements as Dakota. Såhi is adorned in a sinahi made of blue coral and a tigem necklace with much larger beads. They also look off into the distance while chanting. The sky is bright blue behind them. Photo by Jordan Panuelo.
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