Articles filed under Artistry

  • So, You Think You Can Ace College Dance?


    I spend a lot of time thinking about the transition from college to the professional field of dance and all the places that dance study can take you. So it was fun when a friend asked me to think about study skills for dancers just entering college. If you and I were to sit down for coffee, read on for some ideas I’d encourage you to think about and discuss with your new classmates.

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  • What’s the Score?


    Does sport have anything to do with ballet? Artistry poses infinite questions. Sport is finite. It ends. It pits two teams, or several individuals, against each other to compete for one very decided, satisfying goal: who has the most points? Who was first to reach the finish line? These aren’t questions we ask about ballet.Read and discuss this timeless and timely issue: athlecism and artistry. We want to hear what you think.

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  • Writer, Educator, and Speaker Liz Lerman Receives Dance/USA Honor


    Liz Lerman is a performer, choreographer, writer, educator, and speaker. She has been described as “the source of an epochal revolution in the scope and purposes of dance art” by The Washington Post. Her aesthetic approach spans the range from abstract to personal to political. This month Lerman receives the 2014 Dance/USA Honor Award during the organization’s annual conference in Minneapolis.

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  • Sequestered


    As a judge in any competition, you are expected to be “objective.” But there is no such thing as pure objectivity, since we all come with our own set of past experiences. I am aware of my personal biases and try to move beyond them, but part of the value of my — or anyone’s — feedback is in the passionate personal response. If we know a person from our past, we see more in their performance than if we never laid eyes on them. This is why the American College Dance Festival Association requires that its adjudicators be kept away from the participants — “sequestered.” Read about dancer/critic Wendy Perron's experience.

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  • Balancing Acts: Dancers and Their Experiences With Motherhood


    George Balanchine didn't hide his disapproval of dancers having children.  Doubtless, such overt pressure from a director would not fly anymore, but many issues that more indirectly discourage parenthood have not changed. Dancers still deal with issues like taking parental leave, juggling child care, physical recovery from childbirth, and health care.

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  • Moving On: A Close Up Look at the Closing of the Trey McIntyre Project


    The announcement in January by the Trey McIntyre Project that its performances June 25-29, 2014, at Jacob’s Pillow Dance Festival would be the company’s last sent both shockwaves and shrugs through the dance community. The shockwaves were because despite the company only being a full-time entity since 2008 (it had begun in 2005 as a summer pickup company); it seemed to be a model of success in a dance world that is constantly searching for new blood.

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  • A New Year’s Resolution for the Dance Field


    My hope for all of us in 2014 is that we can practice and celebrate self-determination. By self-determination I mean using our voices, making our own frames of reference, and creating for ourselves. I want us to be loud, and large, and powerful, both as individuals and as a field. I want us to be a force to reckoned with. I am dance, hear me roar!

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  • Ballet’s Biggest Annual Party: Freelancing ‘The Nutcracker’


    The period between Black Friday and Boxing Day is commonly the most financially rewarding for big and small businesses alike. Ballet is no exception. During this period, ballet companies across the country throw their biggest annual holiday party, which helps keep many a ballet company afloat, providing essential operating funds. Just as big and small businesses benefit from holiday spending, freelance dancers like Barry Kerollis benefit from The Nutcracker. Read on to see how this Philadelphia-based dancer navigates the ups and downs of Nutcracker madness.

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  • What I Learned From Ballet


    I am passionately in love with being onstage. It’s terrible. The can’t-eat-can’t-sleep-euphoric kind of love. When you find that love early in life it’s hard for much of anything else to stand up in comparison. And when it does, you fall in deep because that’s the only way you know how.

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  • Symbiosis and Support


    "Outside of change, the only constant in art is community," writes choreographer, dancer, and educator Helanius Wilkins. Read more about his thoughts on creating conducive artistic communities by working collaboratively and symbiotically with fellow members of the creative class.

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Covering the business of dance for dancers, choreographers, administrators, dance organizations and foundations with news, commentary and discussion of issues relevant to the field.
Editor: Lisa Traiger

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