For 75 years, the 92nd Street Y has supported, presented and taught
dance, and is now celebrating its anniversary with a season themed
Past-Future-Now. Over 200 dancers and choreographers will perform at
92Y over the next year. To learn more, visit the 75th Anniversary
Homepage:
www.92Y.org/Dance75.
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by Robin Pogrebin
October 21, 2009
The New York Times
The renovation of the David H. Koch Theater at Lincoln Center, formerly
the New York State Theater, has given the space new seats, carpeting
and lighting; an expanded orchestra pit that can move up and down; a
media suite in the basement; and new camera positions in the wings.
But the refurbished hall, which officially reopens on Nov. 5, is
significant less for its physical changes than for its symbolism: It
announces to the world that New York City Ballet and New York City
Opera — despite a history of tensions and disagreements that initially
threatened the project, and despite City Opera’s strained finances —
have managed to move forward as roommates.
read the full article
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by Ellen Dunkel
October 20, 2009
The Philadelphia Inquirer
In the lean years -- and there were many -- a bad economy might have
knocked Pennsylvania Ballet off the map. But in 2009, after years of
improving fiscal health, the company has been able to tighten its belt,
focus on the priorities, and find creative ways to deal with it.
"Fifteen years ago, maybe we wouldn't have been able to find our way
through problems like this," says artistic director Roy Kaiser, in his
office at the company's East Falls studios. "We can't do what we do
with 10 fewer dancers. I think a lot of businesses, you can expand and
contract depending on what the market is. You can't do that with ballet
companies. If you start to contract and you contract to any degree, it
takes years to build it back up."
read the full article
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interview by Laura Barnett
October 19, 2009
guardian.co.uk
What got you started?
Every child dances, and then you learn not to. So I always danced
around, and then, when I was eight, I saw a flamenco dance concert --
and I was sold.
What was your big breakthrough?
When I made my first dance, which I called
Barstow, at age 15. And when my company played at the Brooklyn Academy of Music in 1984, and [the
New Yorker's] dance critic Arlene Croce said I was worth watching.
read the full article
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The Rockefeller Foundation has announced $2.7 million in grants from
the Cultural Innovation Fund to support 18 New York arts organizations.
Among the grantees are The Joyce Theater Foundation, Inc., New York
City Ballet, and Ringside Inc. (STREB).
The goal of the Rockefeller Foundation's NYC Cultural Innovation Fund
is to recognize and support programmatic innovation and new
opportunities in the cultural arena that will strengthen and advance
the role the creative sector and the arts will play in the future of
the City.
read more about the Fund
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The Mid Atlantic Arts Foundation has announced the roster for its
2010-2011 American Masterpieces touring program which is supported by
the National Endowment for the Arts (NEA). The American Muse - American
Moves tour celebrates premier American dance companies and repertoire
by choreographic masters that is set to quintessentially American music
-- from the Broadway musical and jazz and blues standards, to iconic
minimalism and traditional spirituals. Roster artists include: Ailey
II, Lar Lubovitch Dance Company, and Trisha Brown Dance Company.
read the full article
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The National Council on the Arts, the advisory body of the National
Endowment for the Arts (NEA), will meet in a public session on Friday,
October 30, 2009, which will include a tribute to the late Merce
Cunningham. The meeting will be held in Room M-09 of The Nancy Hanks
Center, 1100 Pennsylvania Avenue, N.W., Washington, D.C. This is the
first National Council on the Arts meeting at which Rocco Landesman
will participate as NEA Chairman.
read the full press release
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The 52nd Dance Magazine Awards presentation and performance will take
place Monday, November 9, 2009, 7:30 pm, at Florence Gould Hall, 55
East 59th Street in Manhattan.
This year’s award recipients are
Allegra Kent, former New York City Ballet principal, Balanchine muse, and author;
Ohad Naharin, Artistic Director of Israel’s Batsheva Dance Company, choreographer, and founder of “gaga” movement language;
Sara Rudner, Twyla Tharp dancer and Director of Sarah Lawrence College Dance Department; and
Jason Samuels Smith, innovative tap dancer and Emmy Award-Winning choreographer.
Presenting the awards will be former New York City Ballet principal and founder of the National Dance Institute
Jacques d’Amboise to Ms. Kent; Director of Juilliard’s Dance Division
Lawrence Rhodes to Mr. Naharin; Merce Cunningham dancer, educator and writer
Carolyn Brown to Ms. Rudner; and celebrated tap dancer and teacher
Dianne Walker to Mr. Samuels Smith.
learn more
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Friday, October 30
2:00pm Eastern
The Joyce Theater
175 Eight Avenue
New York, New York
There will be a Memorial for Francis Mason on Friday, October 30 at The
Joyce Theater. The speakers and program will be announced soon. It is
open to the general public. Francis Mason (88), a cultural diplomat,
editor, radio dance critic, writer, and dance devotee, died on
Thursday, September 24 at his home in Rye, NY. He began his career as a
dance writer in the 1950s, and for more than 50 years, he worked in the
field of dance.
read more about the memorial
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compiled by Rachel Lee Harris
October 25, 2009
The New York Times
Friends and colleagues of Clive Barnes, the influential theater and
dance critic who died last year, will remember his life and work on
Nov. 2 at an event hosted by the
New York Post columnist
Michael Riedel. Scheduled speakers include Edward Albee, Paul Taylor
and Frederic Franklin of American Ballet Theater, as well as
The New York Times’ chief dance critic, Alastair Macaulay, and his predecessor at
The Times Anna Kisselgoff, among others.
read the full brief
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National Endowment for the Arts Chairman Rocco Landesman delivered a
keynote address today to close the 2009 national Grantmakers in the
Arts conference: Navigating the Art of Change.
In his remarks, Chairman Landesman laid out the guiding principle that
will inform his work at the agency, which can be summed up in two
words: "Art works." Chairman Landesman explained that he means this in
three ways:
1) "Art works" is a noun. They are the books, crafts, dances,
designs, drawings, films, installations, music, musicals, paintings,
plays, performances, poetry, textiles, and sculptures that are the
creation of artists.
2) "Art works" is a verb. Art works on and within people to
change and inspire them; it addresses the need people have to create,
to imagine, to aspire to something more.
3) "Art works" is a declarative sentence: arts jobs are real jobs that are part of the real economy.
Art workers pay taxes, and art contributes to economic growth,
neighborhood revitalization, and the livability of American towns and
cities.
Chairman Landesman announced that he will spend the next six months
learning and highlighting the ways that art works in neighborhoods and
towns across America.
read the full press release
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compiled by Rachel Lee Harris
October 18, 2009
The New York Times
In a report to be released on Monday the nonprofit Center for Arts
Education found that New York City high schools with the highest
graduation rates also offered students the most access to arts
education.
read the brief
download the full report
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by Debra E. Blum
Chronicle of Philanthropy
While many museums and other cultural institutions face debt, shrinking
donations, and investments losses, one of the nation’s top
credit-rating agencies calls the sector stable and resilient.
In a paper released this week, credit analysts at Standard & Poor’s
say they believe that the nearly three dozen nonprofit cultural
institutions the company rates will “manage their businesses reasonably
well during this recession,” just as they have weathered past economic
downturns. They say that while belt-tightening may become the norm for
the organizations, they will likely benefit from an increase in
regional tourism, a gain in repeat visits, and government stimulus
money for education and science programs.
read the full article
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Holly Sidford, Helicon Collaborative
Published: June 2009
Grantmakers in the Arts
Reader
Private and public sector arts funders across the country are still
reeling from the shock waves of the recession. While a few have
maintained or even slightly increased their giving compared to last
year, most arts funders have reduced current grants budget by at least
10 percent and some by as much as 80 percent. Most are projecting
further reductions in the next two years. Those whose own grants
budgets have not been severely reduced are nevertheless directly
affected by their peers' cutbacks, as nonprofit arts organizations
increase their pleas for special consideration in these difficult times.
read the full article
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Grantmakers in the Arts invited a blogger to write about the 2009 Recession Conference held October 18-21 in Brooklyn, New York.
read the blog
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by Victoria Looseleaf
October 21, 2009
The Los Angeles Times
Seven dancers move in unison to the throbbing of minimalistic music.
Twitching spasmodically, the performers then indulge in a series of
backward bends and sideways swooping. As the sun streams into the
studio at Westside School of Ballet, it illumunates the dancers'
dispassionate faces, their movement free from any lyrical or
psychological elements.
Indeed, this is the signature style of of postmodern guru Rudy Perez,
who turns 80 next month. Perez, having decamped from his native New
York to Los Angeles more than three decades ago, is celebrating the
milestone by creating new work. Presented by Pasadena's Armory Center
for the Arts, which is also commemorating its 20th anniversary, the
Rudy Perez Performance Ensemble is giving free concerts Friday and
Saturday at All Saints Church in Pasadena.
read the full article
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by Daniel J. Wakin; compiled by Dave Itzkoff
October 26, 2009
The New York Times
Stagehands at the Joyce Theater voted on Monday to be represented by
Local 1 of the International Alliance of Theatrical Stage Employees,
joining the union that handles negotiations for colleagues on Broadway,
in concert halls and at major homes of dance in New York, including
City Center and the David H. Koch Theater at Lincoln Center.
read the brief
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